SYLLABUS

ENGLISH 276: Twentieth Century Literature

Spring 2008

Section 1: MWF 10:00-10:50 (Room S115)

Instructor: Greg Ahrenhoerster

Home Phone: (414) 961-3297

Office Phone: (262) 521-5479

Electronic Mail: gahrenho@uwc.edu

OFFICE: W131

Office Hours: 11:00-12:00 WTWThF, and by appointment

Course Webpage: <http://waukesha.uwc.edu/eng/gahrenho/276syllabus.htm>

 

 

HANDOUTS

Group Presentation

Paper 1

The Mechanics of Writing about Literature

Paper 2

 

REQUIRED TEXTS: Literature: An Introduction to Fiction, Poetry, and Drama.  10th edition. X.J. Kennedy and Dana Gioia, eds.

 

As I Lay Dying. William Faulkner.

 

Heart of Darkness. Joseph Conrad

 

A Portrait of the Artist as a Young Man. James Joyce

 

Rosencrantz and Guildenstern Are Dead. Tom Stoppard

 

 

COURSE OBJECTIVES:  The words “Twentieth Century Literature” pretty much sum up the objectives of the course.  This semester, I expect you to increase your understanding and appreciation of literature (fiction, poetry, and drama), but I also expect you to learn something about the important issues and events that defined the 20th century.

 

In particular, we will be examining how the industrialization of the world during this era affected people and their understanding of their own role in the universe, especially their relationships with each other, nature, and God.

 

Officially, the English department’s objective for this course is as follows: “To introduce students to outstanding or representative English-language writers of the twentieth century and, through them, to some of the major literary movements of the era, particularly in England, Ireland and the USA.

 

 

REQUIREMENTS: 

 

The out-of-class papers must be computer generated, double-spaced, with one-inch margins.  You are all welcome and encouraged to use the computers in the Study Center or Computer Center

 

 

GRADING: (2) Papers (200 points)

(2) Exams (200 points)

(10) In-class Quizzes and assignments (100 points)

Group Presentation (50 points)

Discussion/Participation (100 points)

 

As you can see, there are 650 possible points available; I will assign final grades based on the following scale: 

      

        93-100% = A   80-82% = B-   67-69% = D+

        90-92% = A-   77-79% = C+   63-66% = D

        87-89% = B+   73-76% = C    60-62% = D-

        83-86% = B    70-72% = C-   below 60% = F

 

 

MY EXPECTATIONS OF STUDENTS: I expect all of the students in my class to do the following things: 

 

 

If I see that you are doing these things, then I will do everything I reasonably can to help you succeed in this course.  However, if you are not holding up your end of the bargain, then I am much less motivated to go out of my way to help you.

 

 

ATTENDANCE:  A significant portion of your grade is based on participation and discussion; obviously, you can do neither of these things if you are not in class.  Please also note that in-class quizzes and assignments cannot be made up, and papers will be deducted five (5) points if they are one class late and ten (10) points if they are two or more classes late. 

 

Please contact me as soon as possible if you anticipate missing classes or being unable to complete an assignment on time.

 

 

ASSESSMENT: The UW Colleges-wide assessment program was established to enhance the quality and effectiveness of the curriculum, programs, and services of the institution.  The institution-wide assessment activities focus on analytical, quantitative, communication, and aesthetic skills because they are of primary importance in the general education of our students.  This semester, students in English courses will be assessed on analytical or aesthetic skills.  Some students in composition classes will be assessed on their ability to interpret and synthesize information and ideas, and some students in literature and creative writing classes will be assessed on their ability to critically reflect on a work of art.

 

Each department also conducts assessment activities that address discipline-specific learning goals.  This year, the English Department is conducting a Scholarship of Teaching and Learning research project about how students use feedback from non-peer sources to improve their writing, which we hope will help provide us with information that will make us better teachers of English.  As part of this project you may be asked to complete a survey or specific assignment or some of your regular course materials may be collected. 

 

 

ACADEMIC HONESTY:  The Board of regents, administrators, faculty, academic staff, and students of the University of Wisconsin system believe that academic honesty and integrity are fundamental to the mission of higher education and of the University of Wisconsin System.  The University has a responsibility to promote academic honesty and integrity and to develop procedures to deal effectively with instances of academic dishonesty.  Students are responsible for the honest completion and representation of their work, for the appropriate citation of sources, and for respect for others’ academic endeavors.  Students who violate these standards must be confronted and must accept the consequences of their actions.

 

What this means is that you are not allowed to cheat on exams or quizzes, and when you are writing papers you MUST document any outside sources that you use.

 

 

HELP:  Please see me if you have any questions about an assignment or need help. 

 

You are strongly encouraged to make use of the writing tutors in the Study Center, who will gladly read a draft of your essay and give you helpful feedback.  You can also work with a writing tutor via e-mail with the UW-Waukesha Online Writing Lab; instructions are located at http://waukesha.uwc.edu/academics/owl/.

 

If you have a disability that will in any way affect your work in this class, please let me know so that I can work with you. Also, Judy Becker in Student services would like to talk to you to make sure that if you need special parking, or any other services, she can arrange them for you.

 

 

ASSESSMENT: The UW Colleges-wide assessment program was established to enhance the quality and effectiveness of the curriculum, programs, and services of the institution.  The institution-wide assessment activities focus on analytical, quantitative, and communication skills because they are of primary importance in the general education of our students.  This semester, students in composition will be assessed on communication skills, specifically the ability to communicate clearly, precisely, and in a well-organized manner.

 

Each department also conducts assessment activities that address discipline-specific learning goals.  This year, the English Department is focusing on what students learn in literature courses, specifically the skills of close reading and interpretation.  (Last year, the department assessed composition courses, and those who aren't teaching literature will be re-assessing their composition courses this year.) 

 

 

CALENDAR:  This schedule is subject to change and is provided primarily to give you an idea of the subjects we will be covering and let you know when major assignments are due so you can plan your life accordingly.  Many days there is a scheduled reading; I will expect that you will have the essay read by the day on which it appears. 

 

This entire class is about the readings.  It will be a boring class if you haven’t read the assigned material. DO YOUR READING!

 

Date

Reading Assignment

Assignment Due

Jan 28.

 

 

Jan 30

Heart of Darkness  part I

 

Feb 1

Heart of Darkness  part II

 

Feb. 4

Heart of Darkness  part III

 

Feb. 6

“To Build a Fire” p. 119-129

 

Feb. 8

“In a Station of the Metro” p. 743

“The Winter Evening Settles Down” 745

“Grass” p. 714

 

Feb. 11

“The Metamorphosis” p. 317-347

 

Feb. 13

A Portrait of the Artist as a Young Man

part I

 

Feb. 15

A Portrait of the Artist as a Young Man

part II

 

Feb. 18

A Portrait of the Artist as a Young Man

part III

 

Feb. 20

A Portrait of the Artist as a Young Man

part IV

 

Feb. 22

A Portrait of the Artist as a Young Man

part V

 

Feb. 25

“Sweat” p. 558-566

“Reapers” p. 749

 

Feb. 27

Six Hughes poems p. 1030-1033

 

Feb. 29

“Clean, Well-Lighted Place” p. 156-160

Draft of paper 1 due

Mar. 3

“Chrysanthemums” p. 231-239

“Acquainted with the Night” p. 859

“Desert Places” p. 822

Paper 1 due

Mar. 5

As I Lay Dying 

through “Tull” section (about 25% of the way through the book)

 

Mar. 7

As I Lay Dying 

through “Darl” section (about 50% of the way through the book)

 

Mar. 10

As I Lay Dying 

through “Moseley” section

(about 75% of the way through the book)

 

Mar. 12

As I Lay Dying 

finish the book

 

Mar. 14

 

Midterm Exam

Mar. 17

Spring Break

No class

Mar. 19

Spring Break

No class

Mar. 21

Spring Break

No class

Mar. 24

Death of a Salesman (Act I) p. 1763-1795

 

Mar. 26

Death of a Salesman (Act II and Requiem) p. 1795-1832

 

Mar.28

“Tragedy and the Common Man p. 1833-1835

 

Mar. 31

“Battle Royal” p. 526-536

 

Apr. 2

“Do Not Go Gentle…” p. 867

“Supermarket in California” p. 1110-1111

 

Apr. 4

“A Good Man is Hard to Find” p. 358-368

 

Apr. 7

“Revelation” 368-382

 

Apr. 9

“Parker’s Back” 382-395

 

Apr. 11

 “Lady Lazarus” p. 934-936

“Daddy” 1150-1152

“Metaphors” 771

Deadline to withdraw from class (no refund)

Apr. 14

“Her Kind” p. 687

 “The Whipping” p. 997-998

“Cinderella” p. 923-925

 

Apr. 16

“Gospel According to Mark” p. 485-489

 

Apr. 18

“The Handsomest Drowned Man in the World” 536-540

 

Apr. 21

“Everyday Use” p. 443-449

“Alice Walker on Writing” 450-452

 

Apr. 23

Rosencrantz and Guildenstern are Dead

Act I

 

Apr. 25

Rosencrantz and Guildenstern are Dead

Act II

 

Apr. 28

Rosencrantz and Guildenstern are Dead

Act III

 

Apr. 30

“Cathedral” p. 98-109

 

May 2

“Greasy Lake” p. 130-137

 

May 5

“A Pair of Tickets” 137-150

 

May 7

“The Victory” p. 748

“Rites of Passage” p. 691

Draft of paper 2 due

May 9

“The Man to Send the Rain Clouds p. 646-649

“Indian Boarding School: The Runaways” 1106

Paper 2 due

May 12

“Welcome to Hiroshima” p. 1160-1161

“Embrace” p. 756

“Stamp Collecting” p. 1168-1169

 

May 14

“The Prophecy” 465-476

 

Tuesday, May 20

 

Final Exam (10:30 am– 12:30 pm)